ABSTRACT

In September 1997 Chris Smith, the Secretary of State for Culture, Media and Sport in Tony Blair’s recently elected Labour government, conceded the perennial problem of defining ‘culture’ as a governmental responsibility, even if his department’s work, like that of its predecessor (i.e. Department of National Heritage), highlights the treatment of British sport as an integral part of national culture. 1 Today, it remains difficult also to establish the actual foreign policy contribution of cultural propaganda, including specific cases where it has made a real difference, especially as compared to ‘hard power’, like economic and military strength. 2 Even so, cultural propaganda, though depicted by contrast as ‘soft power’, has been perceived as an effective and powerful form of British diplomacy, as reaffirmed in the mid-1980s by the Thatcher government: ‘Our cultural diplomacy helps to make Britain and British standards better known and understood, so we may pursue British interests more effectively’. 3