Orestes in the Drawing-Room: Mother, Maid, and Witch in T.S. Eliot's the Family Reunion

The solution he gives us in the prologue is utterly Aeschylean and in a sense strangely modern. There has been not a fight but a development, not even, as in the agon of the play, a reconciliation and sudden conversion, but a gradual emergence and epiphany of godhead from strength to strength, from Gaia to Zeus.