ABSTRACT

In the 1960s through to the 1980s many practitioners, some with only a basic knowledge of techniques, characterised gestalt by dramatic catharsis that had more in common with theatre than therapy. What developed was an anti-theoretical attitude creating what has been referred to as ‘boom-boom-boom’ therapy. Although catharsis allows an emotional release it is a figural event what lies beneath the need for catharsis is where the focus of further therapy resides, possibilities being: a need to impress for affirmation, introjects that restrict expression, a role-locked way of being, locked in musculature resulting in physical problems. Catharsis without awareness, assimilation and integration into the client’s situation is of little use and has the potential to be destructive. The production of adrenaline and other neurotransmitters including natural opiates during catharsis can produce a temporary sense of well-being or a ‘high’ accompanied by a premature sense of resolution that can become a fixed gestalt.