Lori Humphrey Newcomb (1994), '"Social Things": The Production of Popular Culture in the Reception of Robert Greene's Pandosto', ELH, 61, pp. 753-81

DOI link for Lori Humphrey Newcomb (1994), '"Social Things": The Production of Popular Culture in the Reception of Robert Greene's Pandosto', ELH, 61, pp. 753-81

Lori Humphrey Newcomb (1994), '"Social Things": The Production of Popular Culture in the Reception of Robert Greene's Pandosto', ELH, 61, pp. 753-81 book

Lori Humphrey Newcomb (1994), '"Social Things": The Production of Popular Culture in the Reception of Robert Greene's Pandosto', ELH, 61, pp. 753-81

DOI link for Lori Humphrey Newcomb (1994), '"Social Things": The Production of Popular Culture in the Reception of Robert Greene's Pandosto', ELH, 61, pp. 753-81

Lori Humphrey Newcomb (1994), '"Social Things": The Production of Popular Culture in the Reception of Robert Greene's Pandosto', ELH, 61, pp. 753-81 book

Edited ByKirk Melnikoff

BookRobert Greene

Click here to navigate to parent product.

Edition 1st Edition

First Published 2011

Imprint Routledge

Pages 30

eBook ISBN 9781315244044

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ABSTRACT

This passage's proliferation of aesthetic judgments, in which the hierarchy of the genres repeatedly reverses itself, ultimately reveals itself as an unchanging prejudice against any form of "popularized degradation." The passage plays Elizabethan and modern popular texts off against one another, to mutual disadvantage. Its preference for Shakespearean drama over Elizabethan fiction is inseparable from its rejection of popular culture in any period.

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