ABSTRACT
This chapter considers the relevance of the image controversies of the times with respect to the style and content of the images, both features that appear to have misled critics questioning their quality and relevance. It demonstrates that the miniatures provide a spiritual “reading” integrating all poems within a liturgical and apocalyptic discourse. The chapter shows the process for the first time and with the aid of modern technology, what is revealed underneath the dark wavy “spot” of the first miniature. It explores the implications, in terms of design and significance, of the misaligned worm holes and repairs along the spine in the miniatures preceding the Pearl poem. The Pearl Maiden is revealed as Queen within the New Jerusalem, shown as a fortified castle with crenellated walls and a crenellated tower, the openings in the shape of crosses helping to reinforce the transformed sense. Both the dreamer and the Pearl Maiden appear aware of the viewing audience, inviting spiritual participation.
