ABSTRACT
Non-anthropomorphic tribal icons often become assimilated into Hinduism, overtly retaining their aniconic characteristics, but, in conception at least, these inevitably become anthropomorphized. The deep-structure concept of 'beauty' applies also to the ugra or fierce aspect of some depicted deity, a common enough feature in Hindu art and worship. In the context of Hindu culture, the Purusa-sūkta declares with respect to the primeval anthropomorph. Though wooden post has no facial characteristics, it is clearly treated as a Hindu goddess, such as Durgā, with all the associated ceremonial. This prioritization of the human form can be followed throughout Indian tradition, with respect to goal-oriented activity, across a broad spectrum of human endeavour and this image remains crucial for people understanding not only of the ideal form in Hindu art, but also of the sacred image qua imaginative construct.
