ABSTRACT
Both art and animals allow humans to recognize the mutuality of others, and through this process of being-with, move more freely in the world as individuals with and among all others. This conclusion presents some closing thoughts on the concepts discussed in the preceding chapters of this book. The book suggested that phenomenological investigation provides an approach to art and animals that asks viewers to question each encounter, and by articulating absence, excess, or disruption, further reflect to see what else can be discovered. From Rembrandt's etchings and paintings, to ancient American rock art, to installations, performance, and photographs, today animals help focus viewer awareness by making what seems ordinary, extraordinary as art. Active engagement with one's senses and feelings possibilizes empathy with Earth and animals, becoming-with-the past, and acknowledging the integration and awakening a desire to care for all things.
