ABSTRACT

Originally we planned a single comprehensive volume dealing with fakes, forgeries, and forgers from all across the ancient Americas, but as the project neared completion, it became evident that the scope of the problem of false antiquities and their counterfeiters was much larger than could be dealt justice in a single book; Mesoamerica and the Andes required their own separate volumes. Faking the Ancient Andes, like its companion volume on Mesoamerica, is an in-depth look at forgeries of ancient South American art, the history of this industry in the Andes, materials and techniques of manufacture specific to this region, and of course, the South American master artisans who produce the goods sold by dealers around the world as authentic antiquities.