ABSTRACT
When watching a show on television, people thoughts normally center on the program material: the story line, the message, and the argument. After shooting possible material, they create a program from whatever they have found. Cameras need to be positioned to capture specific shots, but they also need to catch various aspects of the continuous action. The storyboard is simply a series of rough sketches; these sketches help the director to visualize and organize the camera treatment. When the camera presents us with impressive shots of a world-famous scene, it may carefully avoid including crowding tourists, stalls selling souvenirs, or a waiting bus. To simplify the mechanics of production, scenes are often shot in the most convenient order, irrespective of where they come in the final script. This will all be sorted out during the editing process. Good, coherent editing may be difficult.
