ABSTRACT
As the aim of this book is to show the Zohar in the frame of the time and the place in which it was suddenly revealed to us, the author will not deal with its more ancient elements which came, without a doubt, from the mystical treasures created in the Holy Land and during the exile in Babylon, but will confine himself to an examination of those Spanish ingredients which went into the final revision of the Book of the Splendour.
