ABSTRACT
Let me start with quotations; first, from ‘classical’ ones that established the most popular, orthodox view of Stanislavski’s System:
The art of experiencing aims at creating on stage the vital life of a human spirit and the embodiment of this life in the artistic scenic form. […]
Thanks to the unbreakable connection between a soul and a body, the vital life of a human spirit of a role naturally reflects in the living body of an actor creating the external life of his human spirit. […]
The art of experiencing makes its basic principle the genuine creative process of nature itself according to the laws established by nature.1
