ABSTRACT

Sometime in the early 1950s, when the legendary bebop pianist Hampton Hawes was residing in Yokohama as the leader of a U.S. Anny band, he had the following conversation with his protege, Toshiko Akiyoshi (as recreated in Nat Hentoff's The Jazz Life):

Hentoff may have taken some liberties with the wording here, but given the close and mutually respectful relationship Hawes and Akiyoshi enjoyed during the American's year-long sojourn in Japan, it is likely that they exchanged words of this nature more than once.