ABSTRACT
In Chapter 6, the author examines the process of constructing mock-ups in the design and construction of the Harvard Art Museums, by the Renzo Piano Building Workshop. What is unique about the building is that while museums are typically built of stone or concrete masonry, this museum is constructed with wooden cladding. As a result of selecting a material that is less stable and more dynamic, a deeper understanding of the material and its impact on the design was required, one which necessitated the architects to reach out to wood scientist Ron Anthony. As a result of the unique design and the unique particularities of different species of trees considered, the design could be considered to have acclimated and subtly transformed by its material construction the way that wood is normally allowed to acclimate to its surroundings.
