ABSTRACT
With the exception of pure orchestral recordings, reverbs are used in nearly every mix. The common practice of close-miking and the dry nature of some sounds produced by synthesizers and samplers result in initial mixes that lack both ambiance and depth. Due to the inflexible nature of ambiance recordings and the poor reverb characteristics of many live rooms and home studios, many engineers choose to record most instruments dry and apply artificial ambiance during mixdown. In nature, many factors contribute to our perception of depth. The natural reverb in a room is key. Reverbs are often associated with tenderness, romance, mystery, intimacy, and many other sensations and atmospheres. Those who have heard a recording that took place in an anechoic chamber or those who have attended an unamplified performance in an open field know how unsatisfying such a reverb-free performance can be.
