ABSTRACT
One of the typical portfolio scenario is graduate schools are interested in the ideas, so begin with work that shows who is the designer. As designers, one has to be invested in the graphic quality of the work. The graphic presentation positions the work; it suggests values and affiliations. Those decisions say something about the value-set, the historic affiliations, and the cultural context that is motivating the work. In the work one try to make objects that engaging through static means rather than rely on didactic forms of dynamism to attract attention. The graphic quality of the drawing and the page are utterly inextricable. Especially since one happen to be invested in what we could describe as an offshoot of minimalism, a kind of eclectic minimalism. There is also a dialogue between the drawing and its captions, its titles, the page numbers.
