ABSTRACT
Geronimo want to change the position of his notebook that is, he have a precise intention. He still remembers clearly how it needed only a glance from his mother to stop his hand in its journey towards the pastry tray that was waiting for the guests to arrive. Geronimo sees it as a tension in his 'snake' with his eyes as its head. It also compels us to be unpredictable by means of changes in sats. When he works on a scene, he does not think in terms of categories of slow and fast but according to images. The important thing for him is to evoke by means of phrasing images that change my in-tension and awaken, in the mind of spectators, associations that offer various levels of interpretation. The actor needs to know how to direct the spectator's attention to keep their interest alive. Geronimo defines the actor's work as a 'dance of intentions'.
