ABSTRACT
The majority of the works listed are panel paintings, with frescoes specifically identified as such. Media are distinguished in a few particularly significant cases, though as a general rule egg tempera tended to predominate for panel paintings earlier in the period, with the use of oil paint spreading from the Low Countries in the early fifteenth century to become the principal medium by the end of the period. The current locations of portable works appear in parenthesis; if no gallery is mentioned, then the work is still in the location for which it was created. Death of Agnolo Gaddi, son of painter Taddeo Gaddi, who in turn was trained by Giotto. Albrecht Durer Fifteen woodcuts illustrating the Apocalypse. Claus Sluter Moses Fountain, Chartreuse de Champmol, Dijon, for Philip the Bold, duke of Burgundy, whose service this important Netherlandish sculptor entered in 1385 and whose tomb he began in 1404. Apart from in exceptional cases media are not identified.
