ABSTRACT
The culture of contemporary Britain proved difficult to discern and define, despite the devoted efforts of sociologists and literary men, some of whom were established in 'centres' for just such a purpose. Investigations of popular knowledge of the Bible and the main Christian doctrines showed that religious education in schools had made little impact. This new religious pluralism led some to criticize the continuing official recognition of the intertwining of Christianity and British national identity. Although American influences were strong, certainly stronger than European, it could not be said to stifle native talent or indeed to destroy a pronounced British cultural chauvinism in the sphere of art. A number of British films in the mid-1950s showed that the industry could still make excellent films despite gloom about its financial future. There was a wide range of literary talent in the United Kingdom, but little agreement about the nature of the novel and the function of the novelist.
