ABSTRACT

Dante lovers of all ages have dwelt admiringly upon the originality shown by the poet in his conception of the architecture of hell. His compatriot Christoforo Landino wrote as follows in the fifteenth century 158 : “ Benche questo poeta in ogni cosa sia maraviglioso, nientedimeno non posso sanza sommo stupore considerare la sua nuova, ne mai da alcuno altro escogitata inventione.” And in modern times, Rossi, after showing how feeble were the stereotyped descriptions of hell prior to Dante's and how poor in this respect were the Biblical and classical sources available to him, concludes by saying : “ L'ingegno poderoso e l'alta fantasia del poeta svolsero e rimutarono con piena liberty questo abbozzo, fecondarono quegli elementi e ne trassero un tutto nuovo, originale, grandioso, definito in ogni parte con esatteza quasi matematica.” 159