ABSTRACT
Much of the information that exists on musical instruments in Africa describes instruments as works of art or as objects of scientific study (organological studies). Fewer studies really look at instruments as extensions of peoples’ lives, as concrete expressions of philosophy, and personal and societal values. In any society it is important to understand the elements that give music continued meaning. As Nketia (1998, 14) has stated, it is important that our goals are not only the “quest for knowledge and understanding of human beings in Africa as makers and users of music, but also in regard to practical issues related to music as a language or mode of communication, music as an object of aesthetic interest, and music as culture.” This entry briefly explores the congruence and consonance between the values of people and the implicit values of the music systems, with a special focus on Namibia. The information is based mainly on research undertaken between 1993 and 2001 and describes current practices in Namibia.
