ABSTRACT
In the late-19th century, Cartagena experienced great economic development, prompting a profound architectural change in the city, stimulated by the bourgeoisie who used architecture to display social distinction. In addition to their urban palaces, these residents began to build villas in the countryside for status, rest and recreation, and to enjoy the scenery and a healthy environment. This social class was conservative and religious, which meant that spiritual matters occupied an important place in their thinking. This led to the construction of imposing funerary architecture in Cartagena’s main cemetery. One of the most significant pantheons is the one belonging to the Pedreño y Deu family. This communication focuses on the study of the aforementioned pantheon, on which an analysis of the architectural, constructive, pathological and restoration processes were carried out. Through the study of this silent dwelling, it will be possible to understand the parallels that exist between the mansions of the living and their eternal dwellings.
