ABSTRACT
Indian mythological fiction has recently gained traction offering a modern reinterpretation of the ancient narratives of India. The present study investigates the construction of masculinity of the lead character (Shiva) in Amish Tripathi's Shiva Trilogy and analyzes it through the theoretical framework of the hegemonic masculinity discussed by R.W. Connell in her Masculinities. Indian mythology subtly validates hegemonic masculinity standards which are challenged by Amish Tripathi in his series. His reinterpretation of Shiva's masculinity enables readers to reconstruct the concept of masculinity in society. Scholarly inquiry into the portrayal of masculinity in mythology is scarce, and this paper explores the alternative masculinity devised by Amish Tripathi, in connection with the theory of hegemonic masculinity by R.W. Connell. The textual analysis of the Shiva Trilogy reveals a model of hybrid masculinity of Shiva- one that is inclusive, sensitive and emotionally intelligent, which helps destabilize hegemonic masculinity and reinforces gender fluidity in society.
