ABSTRACT
This contribution provides an overview of ongoing digital projects in Zoroastrianism with a focus on the Avestan text, and in particular the Yasna as a written text and as a ritual performance. Technologies play an essential role in research and its output and open new perspectives, as shown in the three parts of this contribution: (1) the importance of consulting manuscripts and how technology contributes to it, (2) new editions of the Avesta currently undertaken, and (3) the Yasna ceremony as a performance. This last part gives an overview of the digital tools used to develop the Yasna interactive film as part of the MUYA Project.
