ABSTRACT
The model I wish to represent in this chapter, Leelah Play for Itself, applies a theory named 'The Leelah Play Paradigm.' Both model and paradigm are the sequels of The Leelah Play, the subject of my study. Leelah is a Sanskrit term that captures existence itself as a divine play and demonstrates a narrative and a phenomenological dramatherapy concept. The basis of this drama therapy model is an undirected role-play game, combining dramaturg theories with classical psychoanalytic theories using play for treatment. The model suggests a therapeutic process that performs a non-intervention approach and works with the defence mechanisms rather than bypassing them. This model wishes to create a play conducted in the present in its ‘suchness’ with no audience, goals, or aspirations outside it. The play is performed to allow development and growth within its social lab.
