ABSTRACT
In this chapter, we discuss the philosophy of circular architecture, approaching it through aesthetics. By reflecting emerging practice and theory against selected existing accounts of the aesthetics of architecture and the environment, we propose an aesthetic framework based on three conditions for circular architecture: (1) reconstructive meaning-making, adopted from Goodman (1985), (2) sensuous qualities in aesthetic judgment, and (3) recognising the value of materials and buildings, and their ageing. Further trajectories are highlighted through five tentative dimensions proposed for circular architecture, which can be utilised for further enquiries in research, education, and practice. We demonstrate that circular architecture is not only about having performative attributes through targeting material and energy flows but also about seeking beauty. It is characterised, for example, by sensitivity towards the everyday of existing materials and buildings, valuing contrasts, and applying emerging tools, material solutions, and tectonics.
