ABSTRACT
This chapter investigates the diasporic dimension of post-Yugoslavia embedded within the formation of collectivities through symbolic production, cultures of memory, and the construction of new forms of solidarity. It asks how cultural production contributes to the formation of collectivities and in what ways cultural production shapes and influences the construction of new forms of solidarity among dispossessed collectivities, citing a recent example of an intervention that took place during the Four Faces of Omarska exhibition within the “Lost – YOU-Go-Slavia” program at the Maxim Gorki Theatre in Berlin.
