ABSTRACT
Frisian theatre has a longstanding tradition and plays a pivotal role in the transmission of Frisian language and culture, particularly because of its oral nature. In this chapter, the authors consider the values and functions of Frisian amateur and professional theatre performances for their participants, and ask how these enable (or disable) processes of identity building, inclusion and exclusion, both on an individual and community level. They explore how the dynamics that come with minoritisation shape the ways in which Frisian theatre, as a specific event, as a communal practice, and as ICH, is valued by different participants and stakeholders. They argue that Frisian language is a key factor that makes these events uniquely Frisian, and that finding a balance between maintaining these ‘safe spaces’ for Frisian identity with finding ways for younger people and newcomers to participate is vital. They suggest that Frisian theatre companies might usefully leverage more consciously these performances as opportunities to amplify the voice of the Frisian minority in an increasingly polyvocal context.
