ABSTRACT
Reflection on the human being and the characteristics of a universe conducive to working form the foundation of theological examination of work. This research focuses on Bonaventure of Bagnoregio, whose writings offer rich insights for a theological study of work. He delved into the notion of God’s creative action, drawing an analogy with art, and about the human artisan as image of God. Firstly, this essay presents some contextual aspects of the existential reality of work in medieval Europe, noting the influence of the Bible on the development of working conditions, types of work, and their social significance. Subsequently, it examines some elements of Bonaventurian thought that can enhance contemporary theological reflections on work. This includes the understanding of the human being as an image of God, together with the role of mediation and the lordship He exercises in the universe. The singularity of human action (the only being in the cosmos capable of artistic action) is then explored, in order to see how its operation is illuminated in light of Trinitarian creative art. Finally, the essay identifies specific aspects of Bonaventure’s insights that are particularly relevant for the contemporary world.
