ABSTRACT
The study of landscape archaeology has historically drawn on two different groups of definitions of the term ‘landscape’ (Olwig 1993, 1996). On the one hand, the original, medieval meaning of landscape is ‘territory’, including the institutions that govern and manage it. Landscapes according to this definition can be observed subjectively, but also objectively by research based on fieldwork and studies in archives and laboratories (cf. Renes 2011). The second definition developed when artists painted rural scenes and called them ‘landscapes’. In the latter, not only the paintings, but also their subjects became known as landscapes. Dutch painters re-introduced the word ‘landscape’ into the English language, and the word therefore gained a more visual meaning than it had on the Continent. The visual definition turns landscape into a composition that is made within the mind of the individual, so using this definition it could be argued that there is no landscape without an observer (Renes 2011).
