ABSTRACT
This dialogue about spaces in literature and on the screen turns on comparing the difference between spaces mediated by language and by image, and on the scopic possibilities of each medium. The interlocutors range across the John Ford films My Darling Clementine and The Searchers and up to Spider-Man: Across the Spider-Verse, encountering along the way a number of writers and theorists from Proust and Lou Andreas Salomé to Nietzsche, Deleuze, and Lefebvre.
