ABSTRACT
A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.
TABLE OF CONTENTS
chapter |52 pages
Christian Metz and Film Semiology
part 1|78 pages
Metz and the Tradition of Film Theory
part 2|80 pages
Questions of Form and Aesthetics
part 3|99 pages
Specificities of the Cinematic Code and the Imaginary
chapter 10|23 pages
Between Classical and Postclassical Theory
chapter 14|23 pages
Fetishism and Scepticism, or the Two Worlds of Christian Metz and Stanley Cavell
part 4|108 pages
Narration, Enunciation, Cinephilia
chapter 16|17 pages
Semiotics, Science, and Cinephilia
chapter 17|22 pages
‘“Theorize”, he says…’
part |39 pages
Two Interviews with Christian Metz
