ABSTRACT

A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

chapter |52 pages

Christian Metz and Film Semiology

Title
Dynamics within and on the Edges of the ‘Model': An Introduction

part 1|78 pages

Metz and the Tradition of Film Theory

Title

chapter 2|13 pages

Two Ways of Thinking

Title

chapter 3|8 pages

Christian Metz and his Theoretical Legacy

Title

chapter 4|23 pages

Christian Metz for Today

Title

chapter 5|11 pages

Thinking Cinema

Title
Christian Metz and/in the Tradition of Film Theory

part 2|80 pages

Questions of Form and Aesthetics

Title

part 3|99 pages

Specificities of the Cinematic Code and the Imaginary

Title

chapter 10|23 pages

Between Classical and Postclassical Theory

Title
Metz on Specificity Then and Now

chapter 11|21 pages

Cyber-Metz?

Title
The Notion of Code in the Writings of Christian Metz

chapter 12|12 pages

Yes, the Image Lies Beyond Analogy

Title
Understanding Metz with Cartier-Bresson

chapter 13|16 pages

The Cinematic Signifier and the Imaginary

Title

part 4|108 pages

Narration, Enunciation, Cinephilia

Title

chapter 15|23 pages

Cinema: Image or Narrative?

Title

chapter 16|17 pages

Semiotics, Science, and Cinephilia

Title
Christian Metz's Last Book, L'énonciation impersonnelle

chapter 17|22 pages

‘“Theorize”, he says…’

Title
Christian Metz and the Question of Enunciation: A Theory in (Speech) Acts

chapter 19|18 pages

Metz with Deleuze

Title
From Film-Philosophy to Film Theory and Back Again

part |39 pages

Two Interviews with Christian Metz

Title

chapter 20|3 pages

Thirty Years After

Title

chapter 21|16 pages

The Semiology of Cinema? It Is Necessary to Continue!

Title
A Conversation with Christian Metz

chapter 22|3 pages

Flashback to Winter 1990

Title

chapter 23|13 pages

‘I Never Expected Semiology to Thrill the Masses’

Title
Interview with Christian Metz