ABSTRACT
There is no single definition of nationalism, but many of them hold it to be an ideology or even doctrine which makes the nation paramount and which implies a national identity based on cultural, linguistic and ethnic lines. The nation is seen to be the most natural and valid collectivity of humans beyond the family, and it should therefore be incorporated when possible in a sovereign political unit, the nation-state. 2 The nationstate supported by cultural nationalism is a phenomenon associated primarily with the nineteenth and twentieth centuries (although of course there were precursors aplenty). The question which will be addressed here is what form nationalism took in the Enlightenment, from about 1650 to 1800, and how it interacted with developments in cartography. Benedict Anderson remarked that modern nationalism grew up only when the old certainties like revealed religion and royal divine right dissolved, towards the end of the eighteenth century. 3 In general, then, in the Enlightenment we are looking not so much at modern populist nationalism, but the popularised, later phases of state formation. The state was being imposed, and the support of the people of the nation was being sought, rather than simply the endorsement of the monarch. And from the seventeenth century onwards, the state frequently employed cartography as a material assistance to state formation. 4 That, in turn, gave considerable opportunity for airing the subject of the nation in cartographic form.
