ABSTRACT
Michelangelo Antonioni dreamed of:
A film with a beginning, but maybe without an end. I have often won- dered … whether there should always be an ending to stories, whether literary, theatrical or cinematographic. A story which closes in on itself runs the risk of dying if another dimension is not provided, if one does not allow one’s own time to be extended externally to where we are, we who are the protagonists of all stories. Where nothing ends. (Antonioni 1985, 224-225)
