ABSTRACT
The chapter reflects upon the importance, challenges, and opportunities of a digital presentation of cultural heritage with a specific focus on a representation of audiovisual materials. It provides a complex insight into theoretical, conceptual, and curatorial strategies applied in the multimedia virtual exhibition Frames of Reconstruction. Thus, it serves as an analytical examination of one unique case study, but it also asks general questions which are relevant and significant for ways we think, act, and curate film heritage in the digital age.
