ABSTRACT
Surround sound production and processing is limited to the post-production division, to film players such as cinemas and home theaters. We describe the arrangement of the channel flow on the soundtrack in DAW by the matrix method. Surround Sound spatial sound processing is indispensable for the advancement of film production in Indonesia. Previous similar research was in computer programming and electricity at sound physics which only certain circles could understand. Inspired by advances in new media technology such as Dolby Surround, we independently traced the matrix method on the DAW Reaper sample and referenced the tutor to find the simple settings for preparing audio mixing conditions with a 5.1 surround system. We propose a series of contribution sets of channel flow arrangements that lead to the simplification of the audio mixing preparation process. The impact of each contribution on the role of the settings in the study of pedagogy. Qualitative experiments show that our methods significantly outperform learning-based approaches in terms of sound design.
