ABSTRACT
This part conclusion presents some closing thoughts on the key concepts discussed in the preceding chapters. The part presents the take of arts is nothing less than realizing destiny instead of form—such could be the ethic of human life for the artists. Poetic images seemingly find their place in the presence, or at least realm, of theatrical performance. Poetic images served to explore the subconscious and dreams through essentially automatic writing. The upsetting and disorientation of the real, which surrealism is invariably characterized by, relates to iconicity and the pictorial turn: mental images, dreams and hallucinations, rhetorical figures and linguistic images, visual arts. The exaltation and love of poetic images is embraced in his texts with doubts and critical examinations in order not to be trapped in a cheaply bought metaphorical infinity. In Hinterland he formulates in beautiful images how the poet seeks simplicity of existential and textual presence, and in this quest how one encounters these images.
