ABSTRACT

In this chapter, I operationalize the theory of creative justice. In addition, I propose the Creative Justice Procedural Model, which describes the process by which ADEI leads to creative justice. I also pose five prompts to help cultural organizations to interrogate their practices and improve their strategies for achieving creative justice. These prompts include: (1) To what extent has the creative sector removed barriers to participation with historically and continuously low caste peoples? (2) To what extent are historically and continuously low caste peoples engaged in and throughout the creative sector? (3) To what extent has the creative sector addressed historic, continuous, and long suffered inequality with historically and continuously low caste peoples through policies and practices? (4) To what extent has the creative sector created a culture of belonging with historically and continuously low caste peoples? And (5) what are the implications for the creative sector if it does not address caste for historically and continuously low caste peoples?