ABSTRACT
A discussion of filmic themes would not be complete without a consideration of Korean films such as Old Boy, Train to Busan, and Parasite, all of which have contributed to the rise of “Hallyuwood” (Balmont 2020). This chapter looks at the ways in which various Korean films contribute to Hallyu's soft power success by furthering interest in things Korean. The contribution of K-films is also in no small way facilitated by the symbolic capital enjoyed by award-winning filmmakers, such as Bong Joon-ho and Park Chan-wook. Here, the chapter discusses the possibility that these Korean filmmakers should be considered auteurs and what this might mean for Hallyu, especially given that some of the works from these individuals may be becoming more internationalised in terms of casting and partnerships with movie studios. Another important factor in the internationalisation of K-films is the involvement of American filmmakers such as Lee Isaac Chung whose parents are South Korean and the rise of co-productions with filmmakers from other countries such as Japan and Singapore.
