ABSTRACT
This chapter discusses Queer British Art 1861–1967 held at Tate Britain in 2017 to coincide with the 50th anniversary of the partial decriminalisation of male homosexuality in England and Wales. Queer British Art is a landmark exhibition in the history of LGBTQ+ representation in museums. In the context of the exhibition, the chapter explores the idea of ‘anticipatory illuminations’ and defines it relative to the museum, its objects and the possibility of queer affective visitor experiences. As well, the exhibition’s chronological, art historical display and narrow, identity-based understanding of queerness are analysed. Finally, the chapter critically discusses the exhibition’s level of radical queerness and engagement with the local queer community. This chapter also provides an historical context and analysis of exhibitions and programmes pursued by English museums prior to 2017.
