ABSTRACT
This chapter investigates the professional and personal dimensions of Franz Waxman's migration from Germany to Hollywood, emphasizing the role of transnational networks in shaping his career trajectory. It situates Waxman's journey within the broader context of Jewish émigré composers who fled Europe during the rise of National Socialism, while also addressing the specific challenges faced by film professionals in a transnational industry. The chapter examines Waxman's time in Paris as a critical juncture, where he leveraged connections within the international film community to secure opportunities in the USA. By drawing upon the framework of relational sociology, the chapter reveals how Waxman's migration was influenced by a complex interplay of identity, professional ambition, and external factors. It argues that Waxman's relocation was not only a response to political persecution but also a strategic move to align with Hollywood's burgeoning sound film industry.
