ABSTRACT
The Conclusion, Αξιοπρέπεια: Situated Knowledge and Redress, begins with a discussion of the Horse of Jenin, a public monument erected in 2002 at the entrance of the Jenin refugee camp in the Northern West Bank. It goes on to describe the Horse of Jenin as an allegory of the context in which this book was written, including genocidal violence in Gaza, the increased criminalisation of asylum seekers and changing approaches to the international refugee regime. Presenting a summary of contributions to scholarship presented in each chapter of the book, the Conclusion identifies important fields of enquiry for future scholarship, urging further recognition of the role played by creative practitioners in the defence of cultural rights – the most under-acknowledged form of human rights.
