ABSTRACT
This study presents a preliminary examination of the mummified human remains known as the ‘Tattooed Man of Huacho’, exploring the potential social and cultural significance of his extensive body markings within the pre-Columbian Chancay culture. Drawing on the concept of ‘social skin’, the analysis considers how tattoos may have functioned as visual markers of identity, status, and specialized roles, particularly those associated with healing and ceremonial practices. Covering almost the entire body, the sacred marking comprise complex geometric and zoomorphic motifs that may correspond to Andean cosmology and traditional belief systems. Their placement and composition suggest intentional encoding of symbolic meanings, possibly linked to ritual or medical functions. Although the individual’s precise role remains uncertain, comparative insights indicate that tattooing may have been associated with curanderos, traditional healers who mediated between material and spiritual realms. However, owing to the complexity of precolonial Andean tattooing traditions and the challenges inherent in their archaeological interpretation, these hypotheses remain tentative and underscore the need for further interdisciplinary research.
