ABSTRACT
The urgency for more sustainable and just cultural practices is grounded in the language of an impending climate catastrophe. We need to question how this might shift notions of artistic autonomy or institutional neutrality and the modes of representation we have held dear for so long. Being out of time, way past the thresholds, what worlds will be built on the ruins of collapse, and how is this related to cultural practice? How could we transform the ways in which art institutions work and the ways in which cultural practice is conducted?
