ABSTRACT
This instance concerns the process of devising my fragmented work-in-progress, Thespian Play (2008/2009), a performance piece for a saxophone player (without saxophone), soundtrack and video. 34 It also looks at the nature of presence and performance in the production, in relation to some of the key features of intermediality (← term: displacement). What interests me as a theatre maker is the multi-faceted way the audience can perceive a performance. I am therefore interested in fragmentary structures that need to be negotiated by everyone who experiences them (← term: experiencer).
