ABSTRACT
This section of Mapping Intermediality in Performance is concerned with digitality, and its reworking of a theatrical currency of bodies, spaces and co-presence. It looks at ways in which digital technologies help to shape intermedial performance, but beyond this it responds to paradigmatic aspects of digital culture that effect the way in which performance events are created, shared and experienced. In particular the authors examine a key characteristic of digital culture – the fact that apparently separate media, phenomena and categories are in play simultaneously, so that they are productively interrelated.
