Introduction

This book is about films and filmmakers committed to reality. For them, the world is not a mere construct or discourse, but made of people, animals, plants and objects that physically exist, thrive, suffer and die. They feel part of, and responsible for, this material world and want to change it for the better. ‘Realism’, this book argues, is what defines these films’ mode of production and binds them together across world cinema history and geography.