ABSTRACT
This chapter examines how Huizinga’s experiences of loss ensuing from the destruction of the Belgian city of Ypres during the Great War informed and changed his critique of the German cultural historian Karl Lamprecht (1856–1915).
This chapter examines how Huizinga’s experiences of loss ensuing from the destruction of the Belgian city of Ypres during the Great War informed and changed his critique of the German cultural historian Karl Lamprecht (1856–1915).