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Chapter

Scribbling Suspense and Surprise

Chapter

Scribbling Suspense and Surprise

DOI link for Scribbling Suspense and Surprise

Scribbling Suspense and Surprise book

Scribbling Suspense and Surprise

DOI link for Scribbling Suspense and Surprise

Scribbling Suspense and Surprise book

ByMatthew Collins, Mel Evans
BookRethinking Language, Text and Context

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Edition 1st Edition
First Published 2018
Imprint Routledge
Pages 17
eBook ISBN 9781351183222

ABSTRACT

The definition of ‘narrativity’ has been hotly debated within narratology and stylistics. Monica Fludernik has argued that experientiality constitutes narrativity, and that many so-called narratives found in texts from earlier periods of English do not possess the linguistic and narrative features required to construct the requisite level of experientiality—that is, they have low-level narrativity. Historical correspondence, especially, has been singled out as a text type that lacks engaging and experiential features, such as suspense and surprise.

This chapter provides a quantitative and qualitative investigation of the veracity of this evaluation of correspondence’s low narrativity. Using the Corpus of Early English Correspondence Sampler, the corpus-based analysis looks at the textual, social and linguistic distribution of the narratives found in letters, offering an empirical evaluation of the nature of ‘narrativity’ in this historical text type. In particular, the discussion focuses on suspense and surprise as key narrative features known to promote interpersonal engagement. The study finds that, whilst relatively infrequent, epistolary narratives are a diverse and dynamic feature of early modern correspondence and show stylistic practices that anticipate those in more modern and literary text types.

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