ABSTRACT
The term “new normal” came into common usage after the global financial crisis in 2008 to signify that what was abnormal before the crash was now commonplace. Social justice is increasingly appearing as a cornerstone in choral performance and activities. The term social justice has gained currency in choral music in the last few years, particularly among choirs in the United States, Europe, and other parts of the Western world. Jorgensen points to the contested territory of social justice. Protest, advocacy, and mobilization on community issues are central to the way in which choirs have constructed their mission. Children’s and youth choirs are frequently in the leading position to promote community engagement and anti-racist work. Choral events that seek to promote cultural and artistic exchange between nations are standard; indeed, one could claim that all international festivals promote such exchanges.
